1. MICHAEL BALLHAUS | Andy Besuch - Costume & Stagedesigner
Acclaimed costume designer based in Berlin, specializing in creating standout costumes and stage elements for movies, commercials, and theater.
Acclaimed costume designer based in Berlin, specializing in creating standout costumes and stage elements for movies, commercials, and theater. Award-winning craftsmanship.
2. In Memoriam: Michael Ballhaus, ASC, BVK (1935-2017)
16 apr 2017 · One of the most esteemed and influential cinematographers of the modern era, Michael Ballhaus, ASC died at his home in Berlin on April 12 at the age of 81.
One of the most esteemed and influential cinematographers of the modern era, Ballhaus, died at his home in Berlin on April 12 at the age of 81.
3. Remembering the Masters: Michael Ballhaus - Camerimage
This year we will screen two films shot by the late Michael Ballhaus, the masterful German cinematographer and a recipient of Camerimage Lifetime Achievement ...
The aim of “Remembering the Masters” is to accentuate the craft of all those brilliant cinematographers who passed away, and to provoke a discussion about the cinematic possibilities given by the films which over the years set the standards for what we watch today. “Remembering the Masters” became a celebrated Camerimage section, both by the industry professionals and the participants who do not work in the world of film. Throughout the years we have presented masterpieces shot by Jerzy Lipman, John Alcott, Zygmunt Samosiuk, Néstor Almendros, Gunnar Fischer, Kurt Weber, Haskell Wexler, Vilmos Zsigmond, and Raoul Coutard, among others.
4. Films directed by Michael Ballhaus • Letterboxd
Michael Ballhaus, A.S.C. (August 5, 1935 – April 12, 2017) was a German cinematographer who collaborated with directors such as Rainer Werner Fassbinder, ...
Films directed by Michael Ballhaus
5. Martin Scorsese Remembers His Cinematographer Michael Ballhaus
13 apr 2017 · Cinematographer Michael Ballhaus, who died Tuesday at the age of 81, is remembered fondly by Martin Scorsese as “a great artist” who “gave me back my sense of ...
"He changed my way of thinking about film," the director said of the legendary cinematographer, who died Tuesday.
6. Cinema Palettes - Goodfellas (1990) Director: Martin Scorsese ...
26 okt 2022 · Goodfellas (1990) □Director: Martin Scorsese □Cinematography: Michael Ballhaus □Production Design: Kristi Zea □Costume Design: Richard ...
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7. RIP Michael Ballhaus, Cinematographer for Scorsese ...
Michael Ballhaus, who died yesterday, was behind some of the most iconic cinematic moments in history.
8. Michael Ballhaus, cinematographer known for his work with Fassbinder ...
13 apr 2017 · ... costume drama The Age of Innocence (in which Ballhaus, who shot beautiful women particularly well, again filmed Michelle Pfeiffer to ...
Cinematographer
9. Contender-Michael Ballhaus-DP-Departed
Contender-Michael Ballhaus-DP-Departed. Jack Egan. By Jack Egan ... Costume Designers Guild Unveils Awards Timeline and Location for 2025 CDGA Ceremony.
Director Martin Scorsese asked director of photography Michael Ballhaus to watch some 1940s crime classics to use as a template while preparing to film The Departed. For the suspenseful mob-and-cops story of secret informants and snitches set in Boston “we wanted to have a lot of dark elements, and initially Marty thought of doing the whole film in old style black-and-white,” Ballhaus recalls.Fortunately Scorsese opted for color. That allowed the cinematographer—who has teamed with the director on six previous movies including the 1990 gangster classic Goodfellas—to translate the feel of noir into contrasting palettes.These ranged from the murky black-brown for the gangsters’ milieu to the coolly efficient blues and grays for the warren of offices at police headquarters. In between was the warmer environment of the psychiatrist, played by Vera Farmiga, which serves as a neutral safe space amidst the scheming outside world.One of the most effective scenes in The Departed comes near the beginning where Jack Nicholson, playing the devilish mobster-in-chief Costello, emerges as a dark heap from the depths of his hell-like hangout. Another highlight was the climactic shootout filmed in a shipyard the size of four football fields. “It was a challenge to light,” Ballhaus notes. “It took five nights, and we used up to four cameras constantly moving and shooting a lot, which made the scene in the film so exciting.”I don’t think Marty and I have ever talked so much about lighting,” con...
